My Buffy Breakdown: Six of the strongest metaphors that make it a lot more real than you may think...
Don't worry! I'm not about to try and argue that vampires and demons are real, or that, that stupid dress is white and gold for a matter of fact; we all know it's blue and black! But what I would like to do is take you through some of the best episodes of 'Buffy' and some of the most powerful metaphors that are at the heart of the storyline in an attempt to show that this fictional television series, albeit about a small blonde girl who slays vampires with a wooden stake, is one of the most realistic things I have seen on television for a long time.
Joss Whedon has discussed before that he was tired of seeing horror movies where "the little blonde girl goes into a dark alley and gets killed" and was fascinated about showing a progressive story about "a little blonde girl who goes into a dark alley, gets attacked by a big monster and then kills it" and so it was with this strong motif of female power at its core that Buffy began. My personal love for the series has followed me into adulthood and probably will long into the future. In fact, it's probably not too bold of a statement to say that it will always be my favourite programme. And it's not because of the supernatural monsters, as great as they are, and it's not because of its drop-dead male eye-candy, excuse the pun! Personally it is the high calibre writing and the fundamental messages that underline every episode that make me value the series so much more as an adult today in retrospect, than the little girl who was enthralled by a pretty Sarah Michelle Gellar who could kick ass. For any people reading this who are fans of the show, I will be doing my 'Top 10 favourite Buffy Episodes' at some point but I thought as a more structured introduction into the show for those who may not have seen it before for this blog I will be talking about 6 of the most powerful episodes, in terms of, giving a direct or important message. So without further ado here is my Buffy breakdown...
1. Welcome To The Hellmouth - S.1 Ep.1
1. Welcome To The Hellmouth - S.1 Ep.1
Welcome To The Hellmouth, the title episode for the first of a two-part premiere refers to our introduction as an audience into the Buffy universe. It is here that we are invited into Sunnydale, the fictional vibrant Californian town and the high school that will be the main focal point for our primary characters for a few years. But there's a twist! Sunnydale High is conveniently located above a mystical centre known as the "Hellmouth, " a hub of energy that draws in supernatural creatures to its depths such as vampires, demons, witches and werewolves. It is here that our central characters go to school and where we are introduced to Buffy Summers, a spirited 16 year old girl on her first day at a new school where she will soon meet Xander Harris (Nicholas Brendon), Willow Rosenberg (Alyson Hannigan) and Rupert Giles (Anthony Stewart Head) who will form the fundamental friendship unit that become known as the Scooby Gang. What I like about this episode is that its title Welcome To The Hellmouth refers to both our introduction to the series and its setting as an audience but also to Buffy's first day at a new school, which for most people going through adolescence could also be considered a rather "hellish" experience. In previous interviews Joss Whedon has commented that for the majority of teenagers, going through high school is one of the scariest times of your life because it is a time when you are learning who you are as a person but also there is a huge concern for what your peers think and wanting to fit in. The episode ironically highlights Buffy's concerns for being behind on classes and fitting in as she comments on whether she was wearing the right nail polish or fashionable clothes when Giles introduces himself as her new Watcher and asks her about vampires. This provokes an angry response from Buffy, who isn't interested in pursuing her calling as a slayer and just wants to get on at her new school because she got kicked out of her last one for burning down the school gym which was full of vampires. It is this core message that Joss used to create many of the monsters in the first few seasons and so the monsters in Buffy for the most part are merely metaphors for the fears or "monsters" we face in every day life. Another key message for this first episode is also the idea of female empowerment which will play a huge role throughout the series. An example of this is the opening scene in which a guy breaks into the school at night with a rather reluctant girl (Julie Benz) dressed in a catholic school-girl uniform. The girl, later identified as Darla, comments on hearing a scary noise and the guy reassures her that it is ok because they are "alone" to which she says "ok, that's good" and when he turns round to look at her she has morphed into her vampire identity and aggressively bites his neck. It is a surprising introduction to the show and emphasises the point that little blonde girls aren't always what they seem. Later in the episode Buffy is walking down a dark alleyway en route to meet her friends at the Bronze (Sunnydale's nightclub) and senses that there is someone stalking behind her. When the mysterious handsome figure (David Boreanaz) comes into shot, he is immediately jumped on and pinned down by Buffy, who was already hanging from a pylon above, ready and waiting. It is a nice moment that highlights Buffy's agility and strength but most importantly her ability to not be made the victim of the situation. It is also our first introduction to Angel, the vampire with a soul, who will become Buffy's love interest and play a very important role for the series.
2. Out of Mind, Out of Sight - S.1 Ep.11
In this episode a boy is mysteriously attacked with a baseball bat whilst in the boy's changing room and is taken to hospital. The Scooby Gang suspect a ghost is responsible but later a girl called Harmony is pushed down a set of stairs by an invisible force. Buffy runs off to follow the invisible source of laughter but it bumps into her before escaping. The gang discuss that ghosts aren't tactile and therefore it must be something else. They later discover that it is an invisible girl called Marcie who has a vendetta for Cordelia, a popular girl who is famous at the school for her stupidity and spitefulness towards others. The episode features several flashback scenes where Marcie tries to join a conversation between Cordelia and her friends but was told her opinion didn't matter because she was a loser. Another flashback featured Marcie trying to answer a question in class but every time she put up her hand the teacher picked someone else. Later in the episode Cordelia and Buffy get attacked and sedated by the invisible girl and wake up tied to chairs. The invisible girl has laid out a tray of knives and other sharp tools and discusses how she is going to teach Cordelia a lesson and comments on how badly Cordelia treated her. Buffy tries to reason with Marcie but to no avail and eventually manages to break free and put a stop to Marcie's actions by force before anything serious happens but two mysterious men come and collect Marcie and take her to an institution for other invisible students who are suffering from being ignored. This episode, although highly entertaining, is a little far fetched but the point is to show how ignoring people and isolating people can be very damaging to people, at any time, but particularly during your school years. Loneliness and feeling "un-popular" are particularly depressing feelings during adolescence and Joss Whedon brings attention to this. The important message here is to treat people how you want to be treated and also that things get better if you don't care what the "popular" people think because with age and perspective it becomes clearer that they don't matter so much.
3. Innocence - S.2 Ep. 14
Angelus: It was a good time. All right? It doesn't mean like we have to make a big deal.
Buffy: It is a big deal.
Angelus: It's what? Bells ringing, fireworks, a dulcet choir of pretty little birdies? Come on, Buffy. It's not like I've never been there before.
Buffy: Don't touch me.
Angelus: I should of known you wouldn't be able to handle it.
Buffy: Angel! I love you.
Angelus: Love you, too. I'll call you.
4. Hush - S.4. Ep.10
Hush is generally considered as one of the best and cleverest episodes of the Buffy ever and was nominated for an Emmy for 'Outstanding writing' and also received a nomination for 'Outstanding cinematography.' After years of working on the show Joss Whedon has always been admired for the incredible writing that goes into the series. So in season 4, Joss decided to break the boundaries by doing an episode that has hardly any dialogue at all. Of the entire 44 minute episode, Hush features only 17 minutes of actual dialogue. In this episode, Sunnydale is visited by some ghoulish fairy tale monsters called "The Gentlemen." These creepy monsters come to a town and then steel everyone's voices so that they can not scream and then cut out their hearts. Due to the lack of dialogue and most of the action featuring only cinematography and background music, the eery atmosphere in Hush is something unprecedented and very memorable indeed. Without their voices the Scooby Gang are forced to work out how to communicate in order for Buffy to stop The Gentlemen before they manage to take the seven hearts they require. The principle message that this episode represents is the importance of language and communication and the limitations that failure to communicate can have, not just in Buffy but in the world, as we see that in Sunnydale normal societal functions ground to a halt due to the unexplained silence. The episode also highlights some of the problems our primary characters have been dealing with up until this point and so the forced lack of speech means that they must express what they feel. Riley (Marc Blucas) and Buffy have previously been ignoring their infatuation for one another and finally share their first kiss while Xander is forced to admit his feelings for Anya (Emma Caulfield) when he thinks Spike has killed her and Anya reciprocates by kissing him passionately. The introduction of Tara (Amber Benson) at first shows that she is very shy in the Wicca group but then demonstrates her bravery and shows she is less introverted than she appears when she helps Willow move a vending machine against a door with magic to keep The Gentlemen at bay. This is also the first time that we see Willow and Tara interact with each other after Willow's split with Oz (Seth Green) and Whedon has explicitly stated before that the 'magic' motif represents the "sensual and powerful" relationship that grows between Willow and Tara during the season because the network that aired Buffy, at the time, found a lesbian relationship to be too controversial and the scene also highlights "an empowering statement about love; that two people can accomplish more than when they are alone." Overall, this episode and the ground it covers in terms of real-life-issues is what makes it stand out.
5. The Body - S.5 Ep.16
For anyone who is a fan of the show they will probably understand that this isn't an easy one to talk about. It is not a fun episode because of how raw and and truthful it is but that's not to take away from the quality of the episode because it is, in many ways, a masterpiece. In this episode, Buffy comes home to find her lifeless mother lying on the coach staring at the ceiling. This is followed by a 3-minute length scene with no cuts and no music as Buffy timidly utters "mom...mommy." Buffy frantically tries to revive her mother with CPR but to no avail. Buffy calls Giles and the paramedics soon arrive and they too try to work on reviving Joyce while Buffy stands in panic. The scene cuts to a sort of what if scenario with Buffy and Joyce (Kristine sutherland) in the hospital with Joyce saying "thank god you found me in time Buffy" but then quickly cuts back to the present moment with the paramedics still trying to revive Joyce. They stop and tell Buffy that Joyce is dead and then leave and Buffy staggers into the hallway and vomits. Giles turns up and Buffy says to him not to move the body, surprising herself that she is even saying it. The following scene shows Buffy going into her sister's school to tell Dawn (Michelle Tratchenberg) about what has happened to their mother and meanwhile Xander, Anya, Willow and Tara also try to come to terms with Joyce's death. Anya, who was previously a vengeance demon, comments that it is all "stupid and mortal" because she doesn't understand natural death and why someone can't just go back in their body. Later at the hospital the doctor informs Buffy that Joyce died of an aneurysm suddenly and painlessly. Meanwhile Dawn sneaking into the morgue to see her mother and gets attacked by a dead-man-now-vampire who gets off the table and Buffy runs in and kills it. The final shot is of Buffy and Dawn staring at Joyce's lifeless body in silence. The episode is one of the most shocking and almost disturbing episodes ever to be shown on Buffy in many ways because it captures the frantic and devastating moments of finding out a loved one has died. It is also particularly troubling in terms of Buffy because the characters and the audience are so use to seeing people or demons die, all the time, and in very grotesque and unearthly ways but because Joyce's death is by natural order, it just makes the episode so much more realistic and it's for that reason that it has a very uncomfortable quality. Nevertheless, Joss Whedon beautifully captures the hysteria, grief and all the emotions that we as humans find troubling and Sarah Michelle Gellar gives a stunning performance.
6. Wrecked - S.6 Ep.10
Wrecked takes place in the middle of season 6 and follows on from Willow's growing addiction to magic which is what has caused her break-up with Tara in Tabula Rasa. In Smashed, the episode immediately before Wrecked Tara stays at Buffy's house to wait with Dawn until somebody comes home and Buffy and Spike have a fight that ends in the two finally giving in and having sex whilst Willow and Amy continue enjoying their night of fun. Wrecked begins the following morning as Dawn and Tara wake up, still on the sofa at Buffy's and begin to wonder why no one came back the night before. Meanwhile Buffy wakes up naked after her night of passion next to Spike in the "wrecked" building. Buffy returns home to check Dawn is ok just as Willow and Amy return home from their night out chatting about the magic they were doing last night and then Willow goes for a nap. Later that day Amy suggests that she take Willow to a warlock named Rack because he can give them great spells that will last for days with hardly any "burn-out factor." When the two get to Rack's place he is enthralled by the amount of power he can feel coming off of Willow and then takes some of her magic before giving her and Amy what they came for. Amy spins around the room in a daze while Willow lies on the ceiling seeing weird colourful shapes and images (kinda like LSD!) until she suddenly falls and wakes up on the floor in her room back at Buffy's house. Willow goes for a shower and starts to cry and then when she comes out she does a spell to turn some of Tara's clothes into human form so that she can cuddle into them, clearly still very upset about Tara's departure. Later that night Willow suggests taking Dawn to the movies to make up for not being around the night before but on the way to the cinema Willow makes a detour to Rack's place in order to get another fix. A few hours later, Dawn is still waiting outside Rack's room while Willow continues her fix. Meanwhile Buffy catches Amy snooping around her house and forces her to tell her where Willow and Dawn are. Buffy goes to Spike's to find out where Rack's place is and Spike tells her that Rack is "dangerous" and the two set off looking. Willow eventually comes out of Rack's place and tries to head home with a now angry Dawn but a demon attacks them saying Willow summoned him. The two run away and get in a car that Willow drives using magic but they crash into a wall. Dawn gets out of the car with a broken arm, leaving Willow passed out in the driving seat, and is chased by the demon but Buffy arrives just in time and kills it. Buffy and Spike begin to help Dawn up as Willow staggers towards them with black eyes, still high from the magic. They leave Willow kneeling on the floor begging for Buffy to help her but Buffy gives her no sympathy and just tells her to "get up."Back at Buffy's house Willow apologises to Buffy and tells her she's going to give up magic and Buffy agrees to help her. Later that night Willow tosses and turns in bed as she suffers from withdrawal symptoms.
Aside from the obvious drug metaphor, this is a very important turning point for Willow's character because magic has been at the centre of the season with Willow using dark magic to bring Buffy back from the dead at the beginning of the season and then Tara breaking up with her for using too much magic. But this is the first time that we as an audience see Willow really lose control and become addicted to dark magic in the same way that addicts become addicted to drugs. This is why several titles of the season such as Smashed, Wrecked and Gone are synonyms for being drunk and refer to Willow's addiction to magic. The episode also highlights Alyson Hannigan's abilities as an actress as one can empathise with what her character is going through and understand that her "magic" addiction is to some extent due to her heart break with Tara but also shows the severity of her actions and that both magic and drugs can have dangerous consequences. The rest of the season focusses on Willow's rehabilitation as she slowly tries to give up magic until Tara's death at the end of the season where Willow finally falls off the rails big time and goes apocalyptically evil.
 |
| Julie Benz as Darla attacking the boy in Welcome To The Hellmouth showing the "helpless girl" becoming the predator. |
In this episode a boy is mysteriously attacked with a baseball bat whilst in the boy's changing room and is taken to hospital. The Scooby Gang suspect a ghost is responsible but later a girl called Harmony is pushed down a set of stairs by an invisible force. Buffy runs off to follow the invisible source of laughter but it bumps into her before escaping. The gang discuss that ghosts aren't tactile and therefore it must be something else. They later discover that it is an invisible girl called Marcie who has a vendetta for Cordelia, a popular girl who is famous at the school for her stupidity and spitefulness towards others. The episode features several flashback scenes where Marcie tries to join a conversation between Cordelia and her friends but was told her opinion didn't matter because she was a loser. Another flashback featured Marcie trying to answer a question in class but every time she put up her hand the teacher picked someone else. Later in the episode Cordelia and Buffy get attacked and sedated by the invisible girl and wake up tied to chairs. The invisible girl has laid out a tray of knives and other sharp tools and discusses how she is going to teach Cordelia a lesson and comments on how badly Cordelia treated her. Buffy tries to reason with Marcie but to no avail and eventually manages to break free and put a stop to Marcie's actions by force before anything serious happens but two mysterious men come and collect Marcie and take her to an institution for other invisible students who are suffering from being ignored. This episode, although highly entertaining, is a little far fetched but the point is to show how ignoring people and isolating people can be very damaging to people, at any time, but particularly during your school years. Loneliness and feeling "un-popular" are particularly depressing feelings during adolescence and Joss Whedon brings attention to this. The important message here is to treat people how you want to be treated and also that things get better if you don't care what the "popular" people think because with age and perspective it becomes clearer that they don't matter so much.
3. Innocence - S.2 Ep. 14
Innocence personally is one of my favourite episodes due to the incredible performances from the cast and the hugely emotional message that it delivers. This episode was one of the most critically acclaimed episodes of Buffy and was viewed by 8.2 million viewers on its first airing. In the previous episode, Surprise, the audience had seen Buffy and Angel fighting for their lives as they tried to stop the vampire couple, Spike (James Marsters) and Drusilla (Juliet Landau), from their latest apocalyptic plan. The pair take refuge in Angel's flat and an emotional scene ensues as they come to terms with the fact that they were nearly split up for good and begin to kiss. The two have sex for the first time on the show and a few hours later Angel wakes up clutching his chest and runs out into the street collapsing and screaming out Buffy's name. The episode Innocence begins where it left off, as Angel fumbles around in the alleyway he is approached by a woman who asks if he is ok and to her surprise Angel quickly jumps up to reveal his vamp face and viciously attacks her. Over the course of the episode the audience gradually become aware that Angel has reverted to his former self, Angelus, a soulless killing machine and Angel returns to the factory to reunite with his ex-buddies Spike and Drusilla who welcome him back into the fold with open arms. Meanwhile Buffy wakes up, no longer a virgin, alone in Angel's bed and becomes worried of where he is. She later goes to school and asks around but no one has seen Angel. Beginning to worry that Angel has taken off after what happened the previous night, Buffy goes back to Angel's flat and he is there but it is obvious that he is acting strange. When Buffy mentions how worried she was Angel sneers in her face and comments "Do you think i'd want to stick around after that?" Confused by the horrible way Angel is talking to her, Buffy cries and asks if it was something she did. Angel coldly laughs and makes a comment about her immaturity before heading for the door. Buffy shouts "I love you" and Angel sniggers back "love you too" but there is no trace of sincerity in his tone. It is one of the most heartbreaking scenes on the show as we as an audience are introduced to the new Angel but through Buffy's perspective and I think it resonates with a lot of people, myself included, who have had that same experience, of thinking you know someone but then waking up and realising that they're not the same anymore. Whedon shows so clearly that Angel becoming a monster again is a metaphor for when you discover that the person you fell for isn't who you thought they were and the message really hits home hard. Later in the episode, Angel begins his psychological warfare on Buffy as he goes to the school with the intention of killing her friends but as he is threatening Willow, Buffy shows up and he leaves. After the Scooby Gang discuss in the library what the cause of Angel losing his soul could of been and Buffy suddenly realises that it was her having sex with him that triggered it. Unable to face the others, Buffy runs out of the library and goes home to her room where she curls up on her bed and breaks down. It is one of the most real elements of the show because we are so use to seeing Buffy killing bad guys and being strong that it is such a contrast to see that she has been broken down into no more than a heartbroken teenager which is what can make us empathise with her. After Angel murders Jenny Calendar's uncle leaving the message "was it good for you?" in blood on the wall, Buffy realises that Angel is too dangerous to be left alone and that she must kill him. The gang go to the mall and in a memorable moment from season 2, Buffy manages to destroy the Judge with a rocket launcher and gets into a conflict with Angel but realises she can't kill him yet. The remainder of season 2 builds up to the final battle between Buffy and Angel in the season finale and the consequences that lead to season 3."She made me feel like a human being. That's not the kind of thing you just forgive." - Angelus
 |
| David Boreanaz as Angel taunting Buffy in Innocence. |
 |
| Sarah Michelle Gellar as Buffy in Innocence. |
Buffy: It is a big deal.
Angelus: It's what? Bells ringing, fireworks, a dulcet choir of pretty little birdies? Come on, Buffy. It's not like I've never been there before.
Buffy: Don't touch me.
Angelus: I should of known you wouldn't be able to handle it.
Buffy: Angel! I love you.
Angelus: Love you, too. I'll call you.
4. Hush - S.4. Ep.10
Hush is generally considered as one of the best and cleverest episodes of the Buffy ever and was nominated for an Emmy for 'Outstanding writing' and also received a nomination for 'Outstanding cinematography.' After years of working on the show Joss Whedon has always been admired for the incredible writing that goes into the series. So in season 4, Joss decided to break the boundaries by doing an episode that has hardly any dialogue at all. Of the entire 44 minute episode, Hush features only 17 minutes of actual dialogue. In this episode, Sunnydale is visited by some ghoulish fairy tale monsters called "The Gentlemen." These creepy monsters come to a town and then steel everyone's voices so that they can not scream and then cut out their hearts. Due to the lack of dialogue and most of the action featuring only cinematography and background music, the eery atmosphere in Hush is something unprecedented and very memorable indeed. Without their voices the Scooby Gang are forced to work out how to communicate in order for Buffy to stop The Gentlemen before they manage to take the seven hearts they require. The principle message that this episode represents is the importance of language and communication and the limitations that failure to communicate can have, not just in Buffy but in the world, as we see that in Sunnydale normal societal functions ground to a halt due to the unexplained silence. The episode also highlights some of the problems our primary characters have been dealing with up until this point and so the forced lack of speech means that they must express what they feel. Riley (Marc Blucas) and Buffy have previously been ignoring their infatuation for one another and finally share their first kiss while Xander is forced to admit his feelings for Anya (Emma Caulfield) when he thinks Spike has killed her and Anya reciprocates by kissing him passionately. The introduction of Tara (Amber Benson) at first shows that she is very shy in the Wicca group but then demonstrates her bravery and shows she is less introverted than she appears when she helps Willow move a vending machine against a door with magic to keep The Gentlemen at bay. This is also the first time that we see Willow and Tara interact with each other after Willow's split with Oz (Seth Green) and Whedon has explicitly stated before that the 'magic' motif represents the "sensual and powerful" relationship that grows between Willow and Tara during the season because the network that aired Buffy, at the time, found a lesbian relationship to be too controversial and the scene also highlights "an empowering statement about love; that two people can accomplish more than when they are alone." Overall, this episode and the ground it covers in terms of real-life-issues is what makes it stand out.
 |
| The Gentlemen in Hush. |
5. The Body - S.5 Ep.16
For anyone who is a fan of the show they will probably understand that this isn't an easy one to talk about. It is not a fun episode because of how raw and and truthful it is but that's not to take away from the quality of the episode because it is, in many ways, a masterpiece. In this episode, Buffy comes home to find her lifeless mother lying on the coach staring at the ceiling. This is followed by a 3-minute length scene with no cuts and no music as Buffy timidly utters "mom...mommy." Buffy frantically tries to revive her mother with CPR but to no avail. Buffy calls Giles and the paramedics soon arrive and they too try to work on reviving Joyce while Buffy stands in panic. The scene cuts to a sort of what if scenario with Buffy and Joyce (Kristine sutherland) in the hospital with Joyce saying "thank god you found me in time Buffy" but then quickly cuts back to the present moment with the paramedics still trying to revive Joyce. They stop and tell Buffy that Joyce is dead and then leave and Buffy staggers into the hallway and vomits. Giles turns up and Buffy says to him not to move the body, surprising herself that she is even saying it. The following scene shows Buffy going into her sister's school to tell Dawn (Michelle Tratchenberg) about what has happened to their mother and meanwhile Xander, Anya, Willow and Tara also try to come to terms with Joyce's death. Anya, who was previously a vengeance demon, comments that it is all "stupid and mortal" because she doesn't understand natural death and why someone can't just go back in their body. Later at the hospital the doctor informs Buffy that Joyce died of an aneurysm suddenly and painlessly. Meanwhile Dawn sneaking into the morgue to see her mother and gets attacked by a dead-man-now-vampire who gets off the table and Buffy runs in and kills it. The final shot is of Buffy and Dawn staring at Joyce's lifeless body in silence. The episode is one of the most shocking and almost disturbing episodes ever to be shown on Buffy in many ways because it captures the frantic and devastating moments of finding out a loved one has died. It is also particularly troubling in terms of Buffy because the characters and the audience are so use to seeing people or demons die, all the time, and in very grotesque and unearthly ways but because Joyce's death is by natural order, it just makes the episode so much more realistic and it's for that reason that it has a very uncomfortable quality. Nevertheless, Joss Whedon beautifully captures the hysteria, grief and all the emotions that we as humans find troubling and Sarah Michelle Gellar gives a stunning performance.
 |
| Sarah Michelle Gellar as Buffy with Kristine Sutherland as Joyce Summers in The Body. |
Wrecked takes place in the middle of season 6 and follows on from Willow's growing addiction to magic which is what has caused her break-up with Tara in Tabula Rasa. In Smashed, the episode immediately before Wrecked Tara stays at Buffy's house to wait with Dawn until somebody comes home and Buffy and Spike have a fight that ends in the two finally giving in and having sex whilst Willow and Amy continue enjoying their night of fun. Wrecked begins the following morning as Dawn and Tara wake up, still on the sofa at Buffy's and begin to wonder why no one came back the night before. Meanwhile Buffy wakes up naked after her night of passion next to Spike in the "wrecked" building. Buffy returns home to check Dawn is ok just as Willow and Amy return home from their night out chatting about the magic they were doing last night and then Willow goes for a nap. Later that day Amy suggests that she take Willow to a warlock named Rack because he can give them great spells that will last for days with hardly any "burn-out factor." When the two get to Rack's place he is enthralled by the amount of power he can feel coming off of Willow and then takes some of her magic before giving her and Amy what they came for. Amy spins around the room in a daze while Willow lies on the ceiling seeing weird colourful shapes and images (kinda like LSD!) until she suddenly falls and wakes up on the floor in her room back at Buffy's house. Willow goes for a shower and starts to cry and then when she comes out she does a spell to turn some of Tara's clothes into human form so that she can cuddle into them, clearly still very upset about Tara's departure. Later that night Willow suggests taking Dawn to the movies to make up for not being around the night before but on the way to the cinema Willow makes a detour to Rack's place in order to get another fix. A few hours later, Dawn is still waiting outside Rack's room while Willow continues her fix. Meanwhile Buffy catches Amy snooping around her house and forces her to tell her where Willow and Dawn are. Buffy goes to Spike's to find out where Rack's place is and Spike tells her that Rack is "dangerous" and the two set off looking. Willow eventually comes out of Rack's place and tries to head home with a now angry Dawn but a demon attacks them saying Willow summoned him. The two run away and get in a car that Willow drives using magic but they crash into a wall. Dawn gets out of the car with a broken arm, leaving Willow passed out in the driving seat, and is chased by the demon but Buffy arrives just in time and kills it. Buffy and Spike begin to help Dawn up as Willow staggers towards them with black eyes, still high from the magic. They leave Willow kneeling on the floor begging for Buffy to help her but Buffy gives her no sympathy and just tells her to "get up."Back at Buffy's house Willow apologises to Buffy and tells her she's going to give up magic and Buffy agrees to help her. Later that night Willow tosses and turns in bed as she suffers from withdrawal symptoms.
 |
| Alyson Hannigan as Willow in Wrecked. |
Anyway I hope you enjoyed my top 6 'Buffy' metaphors whether you're a fan or if this is new to you, I hope this has given you some inspiration to watch because it's not as silly as some may think!
Ginger Pixiexx
No comments:
Post a Comment